Mark Levinson's Price Autoacoustic
Mark Levinson Audio Systems was founded by Mark Levinson in 1972, when the first JC-1 sponsor came to light, the symbol of Mark ' s special approach to sound reproduction. He was not only a capable musician with good engineering training and a talented designer, but he also had a great hearing that allowed him to rely exclusively on his gold ears in his own development. Despite the small volume of output, the company quickly became known among the readers of the best sound, regardless of the cost and cost. The High End of Mark Levinson has always used the most expensive parts of the highest quality.
The first traitor, Mark Levinson, launched a series of amazing audio components that were able to strengthen America ' s reputation as leader in the design of High End Audio. In addition, the JC-1 model convinced even the most sophisticated audio profiles that the lamps had no monopoly on the true sound. The JC-1 militant evolved into ML-1, then joined by ML-2, a mono of power. Then Mark Levinson created an ML-3 power force, a massive and ultra-stabilial double monoclock that could have fully configured even the most caspic columns of that time.
In the mid-1980s, despite a number of innovations, such as a fully modular hustler and outstanding studio tape recorders, Mark Levinson Audio Systems was in a difficult financial position. The Madrigal Audio Laboratories came to help. Mark Levinson ' s manual production of the highest-quality designs has been maintained and key staff have been regrouped to continue the design and production process. Reorganization strengthened financial discipline and expanded engineering states.
The time was favourable to change - the audio industry quickly turned to CD as the main source of music. Although the company ' s numerical converter was not the first, however, the reference processor Mark Levinson No. 30 was immediately announced by the experts as a new model. This was an achievement that showed that digital technology had finally reached maturity. A year later, there was a reference CD-transport No. 31, the real desire of Mark Levinson to offer audio files to the most sophisticated digital distribution system. It was also a milestone in the history of design, performance and sound quality.